Guide

Arranging for choir and band

6 min read

A choir with a band is one of the most rewarding line-ups, and one of the easiest to get wrong: a loud band buries the singers, and a pop melody can sit badly for most voices. These are the decisions that matter.

Know your voices

Comfortable ranges for an amateur choir (written pitch):

Part Comfortable range
Soprano C4 – G5
Alto G3 – C5
Tenor C3 – G4 (written an octave higher in treble clef)
Bass F2 – C4
Children / unison C4 – D5

Keep most of each part in the middle of these ranges. Save the extremes for one big moment.

Choose the key for the choir, not the record

Pop singers often sit high (or very low). Pick a key where the melody stays roughly between D4 and D5, so sopranos and altos can share it in unison and men can sing it an octave lower.

Start in unison, then split

A good shape for a choir arrangement:

  1. Verse 1 in unison, or sopranos and altos only.
  2. Chorus in two parts: melody plus a harmony a third below.
  3. Verse 2: men take the melody, women add an "oo" pad.
  4. Last chorus in four parts (SATB), possibly a step higher.

Writing harmonies that singers can learn

Keep the band in its lane

Medleys for choir

Medleys are a choir favourite for concerts (Christmas, graduation, tributes). Use transitions singers can handle: a ritardando and held chord, a piano bridge, or a common-tone join. Avoid tricky direct modulations without instrumental support.

Rehearsal parts

Print separate parts for each section, and give singers a recording of their line. Medley Writer exports MIDI that you can load into any notation app to make rehearsal tracks, alongside the PDF score and MusicXML.

Let Medley Writer do the transcribing

Upload the songs, choose the parts and the order, and get a full arrangement for your band with the transitions written in. Free during the beta.

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